if you firmly believe cowboy cats would say meowdy hit that mf reblog
when katara fought an old ass master when she’d never had a day of formal training and yelled at him “you can’t knock me down” she created women and feminism.
Throughout the series Azula avoids mirrors. In the over the shoulder shot of Ty Lee at the circus she isn’t the central focus. When they wipe away the Kiyoshi make up, Azula isn’t in front of a mirror. She doesn’t spend time looking at the water or even fretting over her appearance.
Here’s why:
Azula looks exactly like her mother. When she looks in the mirror she doesn’t see herself. I believe that in the final Mirror Scene Azula’s brain shifts her own reflection to personify Ursa, someone who is a huge source of instability in Azula’s life. Making the part where she destroys the mirror even more symbolic. She’s destroying any hint of her mother, and she’s also simultaneously destroying any shred of sanity left. She’s shattering the old Azula, because after that everything falls apart even more.
Furthermore, in the comics when Azula sees her mother it’s in reflective surfaces. Such as rivers. To me, it seems symbolic, but I could be over analyzing.
ok so i screenshotted this moment because i thought it was pretty cool
the first time we get to see all four elements working together for a common enemy, blah blah blah, but i started laughing because
sokka’s fucking boomerang. sokka threw a fucking boomerang at princess azula, renowned lightning bender and heir-apparent to the throne of the fire nation.
and sokka threw a boomerang at her.
I said it once and i say it again.
Azula considered Sokka to be the biggest threat in this group and countered him first. What this picture miss is Sokka sanding nearby. All members of this group unleash their attack at same time, but Azula reacts to boomerang first. If you watch this part in slow motion, you could see that Sokka’s boomerang was the first thing that would hit Azula and may even incapacitate her making her unable to continue to fight. So she had to counter in first. She deflected it with well placed shoot.
Then and only then, when there is no immediate threat, she starts to create her blue fire wall to counter other elements.
Lets think about this. How hard should you have to throw something to make it move faster that any elemental attack? Either all elemental attacks are slow or you are pretty strong. That said nonbenders with good aim and strong hands could easily overpower benders if they timed it right.(Aang got captured by Yuan archers who are all nonbenders.) Azula knew of this and acted according to it. She is talented bender and you may think that she should enlist other benders to help her track and capture Zuko, Iroh, and later avatar, but instead she uses her nonbender friend to help her.
Even if you have no bending you can still fight… and win.
Let’s not forget that on the Day of Black Sun, Sokka was the one in charge and Azula was no idiot Azula knew that.
When Aang, Sokka, and Toph all confronted Azula, she proceeded to make them chase her and waste their time. Azula is not only talented, she’s sly and smart as hell. WHO WAS THE ONE WHO SAW THROUGH THAT BS CHASE?
NOT ONLY THAT but after Sokka explains to the Gaang that Azula is just baiting them, Azula actually verbally attacks Sokka. Not through fighting, but through words, knowing not only that an intelligent person like him could only be brought down with emotions BUT that Sokka was the leader and if she could get him the stay, Aang and Toph would follow his lead.
Azula knew Sokka was their strength and took him down. WOULD SHE DO THAT IF HE WASNT A SIGNIFICANT THREAT TO HER!!??!
No. She wouldn’t waste her time and energy on someone she didn’t think was capable of actually getting in her way.
WHEN SHE GETS HER FIREBENDING BACK SHE HAS THE OPTION OF ATTACKING BADASS METAL BENDING TOPH AND THE FUCKING AVATAR
WHO DOES SHE ATTACK?!?!
Azula never underestimated the power of non benders especially an intelligent one like Sokka. Sokka was a huge threat to fucking Azula on multiple occasions.
Remember that.
Look at this spot on fucking discourse. LOOK AT IT.
Just thought I’d drop this
into the debate as well, (instead of actually fighting him she backs off, and who blames her? Sokka’s club looks like it could shatter bones…).
Along with this:
Scenes with Azula confronting Sokka are few and far in between but they paint a pretty interesting picture, don’t they?
I mean, Azula’s friends/most trusted warriors were two non-benders. Mai was an expert with thrown weapons and Tai Lee was the only chi blocker shown in the first series, and she was able to take down half a groups of earth nation soldiers like that. Azula knows that non-benders are dangerous and she sees sokka for the genius he is
She’s knows she can take bending, she can redirect fire and she’s fought Katara a lot- but unlike Zuko she was probably never trained with weapons, she knows she has no defense to a sword or a club, and she knows that one of Ty Lee’s biggest advantage is that people underestimate her
I introduced a friend to ATLA a few nights ago, and they had only
known two things about the entire show: the cabbage meme, and that Aang
apparently wants to ride every large and dangerous animal he can
possibly find. We got through the first five or so episodes, and my
friend noted that Aang is exactly what a 12-year-old would be like if
given godlike powers, and that this is literally just what he
could do with airbending. He can’t even wield any of the other elements,
and he’s one of the most powerful people on the planet, because he’s an
airbender.
And that got me thinking.
This snippet from Bitter Work is one of the few pieces of concrete information we get about the airbenders, at least in ATLA. Iroh is explaining to Zuko how all four of the elements connect to the world and to each other.
Fire is the element of power, of desire and will, of ambition and the ability to see it through. Power is crucial to the world; without it, there’s no drive, no momentum, no push. But fire can easily grow out of control and become dangerous; it can become unpredictable, unless it is nurtured and watched and structured.
Earth is the element of substance, persistence, and enduring. Earth is strong, consistent, and blunt. It can construct things with a sense of permanence; a house, a town, a walled city. But earth is also stubborn; it’s liable to get stuck, dig in, and stay put even when it’s best to move on.
Water is the element of change, of adaptation, of movement. Water is incredibly powerful both as a liquid and a solid; it will flow and redirect. But it also will change, even when you don’t want it to; ice will melt, liquid will evaporate. A life dedicated to change necessarily involves constant movement, never putting down roots, never letting yourself become too comfortable.
We see only a few flashbacks to Aang’s life in the temples, and we get a sense of who he was and what kind of upbringing he had.
This is a preteen with the power to fucking fly. He’s got no fear of falling, and a much reduced fear of death. There’s a reason why the sages avoid telling the new avatar their status until they turn sixteen; could you imagine a firebender, at twelve years old, learning that they were going to be the most powerful person in the whole world? Depending on that child, that could go so badly.
But the thing about Aang, and the thing about the Air Nomads, is that they were part of the world too. They contributed to the balance, and then they were all but wiped out by Sozin. What was lost, there? Was it freedom? Yes, but I think there’s something else too, and it’s just yet another piece of the utter brilliance of the worldbuilding of ATLA.
To recap: we have power to push us forward; we have stability to keep us strong; we have change to keep us moving.
The air nomads brought fun to the world. They brought a very literal sense of lightheartedness.
Sozin saw this as a weakness. I think a lot of the world did, in ATLA. Why do the Air Nomads bother, right? They’re just up there in their temples, playing games, baking pies in order to throw them as a gag. As Iroh said above, they had pretty great senses of humour, and they didn’t take themselves too seriously.
But that’s a huge part of having a world of balance and peace.
It’s not just about power, or might, or the ability to adapt. You can have all of those, but you also need fun. You need the ability to be vulnerable, to have no ambitions beyond just having a good day. You need to be able to embrace silliness, to nurture play, to have that space where a very specific kind of emotional growth can occur. Fun makes a hard life a little easier. Fun makes your own mortality a little less frightening to grasp. Fun is the spaces in between, that can’t be measured by money or military might. Fun is what nurtures imagination, allows you to see a situation in a whole new light, to find new solutions to problems previously considered impossible.
Fun is what makes a stranger into a friend, rather than an enemy.
